Zach Woods Quotes
Born: September 25, 1984
We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.
Steven Spielberg name is synonymous with Hollywood. You sometimes meet people who revel in their own mythology, and he doesn't feel like that, at all. He's very approachable, accessible and sweet. Even if he wasn't, I'd have to say that because the man runs everything.
If I was a part of secret ninja group my power would be the power of apology. I would just apologize emphatically and freely. And my mech might just be a phone to send apologetic emails from.
I'd like to be able to do complex math in my head. Any kind of adversity and I become very anxious, but if you're a robot, you have good equilibrium. I wish I was cooler under pressure, like a robot.
I would rather a sex tape make its way out than a video of me doing all of the different grunt sounds. I'm not eager for a sex tape to leak, but in terms of personal humiliation, I'd feel less vulnerable to be in a Kim Kardashian situation than seeing myself grunting in a booth.
The days that you record by yourself, you feel like a crazy person because you're saying the same line, 10 different ways, or they ask you for 10 different grunting sounds and you just feel like such a schmuck. It's crazy! When there's other people there, it tethers you to something, in a nice way.
It's always fun to improvise. What's weird is that when you're recording, you're by yourself, for the most part.
I think I gravitate towards characters who are slight outsiders. It's fun to play a character that wants so badly to be included in the normal activities of teenage life, but lacks the literal hardware to do it.
I don't go to see many comedies anymore, because I guess it feels like another day at the office.
A lot of times the movies I think are the funniest are dramas. I feel like dramas are so much funnier because they're actually capturing human beings. Humans are so weird and clumsy, and that, to me, often makes me laugh more.
I really knew almost nothing about Silicon Valley. I read that Steve Jobs book and watched a bunch of documentaries, and read the book about Mark Zuckerberg. I tried to learn some stuff, but there are consultants on the Silicon Valley show that know so much about it where you can get answers. To me, it's more important to get the particulars about that type of person as opposed to the specifics of the technology world.
I would love to do a drama. I did a couple of episodes of The Good Wife, which is more of a drama. I really liked that, I thought it was interesting. A lot of my favorite comedies play out as dramas.
I feel all of the archetypes in Silicon Valley probably exist in some other form in other subcultures.
As I get older, I think I'm more interested in comedy that doesn't take cheap shots. But I watched some of that Justin Bieber 'roast' and I thought it was hilarious.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.
I think sometimes when people start doing improv there's some regression towards trying to replicate the 'good' improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.
There's some boring advice for improvisers beginning their careers like 'see as much of it as you can and do as much of it as you can.' Volume, in a way, is the most important thing. Not, like, decibel volume - just immerse yourself in it as much as possible. I'd also suggest that you put a high value on your personal interests and tastes.
I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.
My brother, who's a few years older then me, went to college in New York. He said all of these people from Saturday Night Live do improv together in Upright Citizens Brigade, and I thought, 'Oh, that sounds really cool.' So when I got braces and couldn't play music anymore, I said to my parents that I wanted to go to New York and take a class at that place. They were remarkably on board with it. I got on the train, went up, took a class and I loved it.
When I was a kid I wanted to be a musician. I used to play the trumpet. I practiced all the time, but I got braces and I couldn't play it anymore, so I had all of this free time.